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When it comes to superheroes nothing gets close to the X-Men. The modern surge in Avengers content might make you think otherwise, but from the 70s to the 90s the X-Men weren’t just part of Marvel they were Marvel. As stated in X-Men and the Mutant Metaphor: Race and Gender in Comic Books “Claremont wrote every issue of the series between X-Men #94 (Aug. 1975) and The Uncanny X-Men #279 (Aug. 1991). These 185 issues are considered one of the most successful runs by a creator of any comic book series in terms of both financial success and quality creative output” (85) This is where you will find one of the most critically acclaimed and renowned comics in Claremont’s run X-Men: God Loves, Man Kills. This comic is so well known because it not only told a realistic story of hate it also reached a massive audience though not only comics but movies and tv. This paper intends to explain how this comic displays othering and how we respond to bigotry. There are three main sections to this paper: the comic itself, the response from the public, and the media inspired by it.